Research to Connect Communities

Tweed Museum of Art research is bringing an important artist's life work into focus, while connecting it to the region's cultures.

From community collections to the Tweed Museum of Art– curator Dr. Karissa White Isaacs is working on a retrospective featuring artist Carl Gawboy, Bois Forte Anishinaabe and Finnish.  

Promoting learning through collection stewardship and research are key parts of the Tweed’s mission. White Isaacs believes, “The cultural significance of Gawboy’s work hasn’t received the recognition that it deserves,” so she’s been working with private collectors, educational institutions, and tribal communities to gather several Gawboy pieces spanning 50 years.

watercolor of Carl Gawboy's mother skipping on stump as a young girl in the country
Helmi Skipping on a Stump (the Artist's Mother in 1912), c. 1990s Watercolor Collection of Ron Morton
watercolor painting by Carl Gawboy of a young girl canoeing
Slipping Away into the West, ca. 1990s Acrylic Collection of Charles and Faye Diver

Gawboy is known as the artist of everyday. He depicts his family, rural community, and Anishinaabe cultural traditions. “Carl Gawboy has significantly influenced our community not only as a talented and treasured artist, but also as a teacher, storyteller, family man, and friend,” says White Isaacs.

Researching Gawboy’s art is being done through newspaper articles and oral history. White Isaacs includes six recordings in the retrospective, situated alongside Gawboy’s preferred medium of watercolors, along with a few acrylic paintings and relief sculptures.

The Carl Gawboy retrospective, entitled "A Life Well Painted, The Art of Carl Gawboy,"  invites the community to recognize this important artist and invigorate the history he depicts.

Photo of Carl Gawboy courtesy of Ivy Vainio


Tweed Museum of Art



College of Arts, Humanities, and Social Sciences

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